For some time I've been wondering when the worlds of consumer digital cameras and camera phones will collide. When will consumers realise that (a) it's quite nice to send photos from where ever you are, immediately, but (b) the quality they'll get at present is awful. Camera phones basically ship with very poor quality VGA (at most) sensors, which are pretty much useless for anything other than MMS. However, at some point resolution improvements will become a driver for boosting upgrade desirability, and resolution will creep into the low end digicam range (1 - 2 Megapixel). At this point will we see "name" camera manufacturers such as Nikon, Fuji and Canon appearing in the cellphone market ? Actually one company is already there - Sony - but Sony has a lot of irons in the fire (and another - Panasonic... maybe a vanity camera phone with a Leica badge ?). The camera and Bluetooth equipped Sony Clie PDAs, associated with a small but well designed Bluetooth cellphone, would in my opinion make a nice combination. Then again SonyEricsson have the P800 ... a phone which manages to pack a lot of average to poor functionality in a fragile and clumsy form factor. Any what about adding Bluetooth and a TCP/IP stack to a Sony digicam (actually I though this had been promised long ago...) ? Modularity seems way out of fashion at the moment. And at the consumer level at least, there doesn't seem to be any truly satisfying way (yet) to send photos on the move.

The Register today notes that a Dutch consumer group has been forced to reverse it's public position on boycotting Epson printers () due to to so-called deceptive chipped ink cartridges. Elsewhere, The Register has an article which claims that inkjet ink is 7 times more expensive than Dom Perignon. Well so what ? You can't make very good prints with Dom Perignon. I could also compare with the cost of Coca Cola - the point is that it is completely irrelevant. I have to say I've seen little to zero complaint from serious photographers about the running costs of Epson photo quality printers. Sure they're expensive - but they are much more practical and cheaper than any previous method of printing archival-quality colour photographs. So it's really not so clear why all these bystanders are making such a fuss...

I'm a photography magazine addict. Actually I'm a magazine addict full stop. But I read a lot of photography magazines, especially Chasseur d'Images (France), R?ponses Photo (France), Practical Photography (UK), Outdoor Photography (UK), and sometimes Outdoor Photography (USA), and if I'm really desperate, Popular Photography (USA) (and I always regret it). Generally these have interesting and sometimes very good articles on the art, craft and science of photography. But the reviews.... Reviews can easily be split into three categories: (a) totally useless press release rewrites (b) sycophantic superficial junk (c) honest appraisals remarkably this maps quite well onto: (a) USA (b) UK (c) France A particular case was a recent US magazine which featured a "first look feature at the Hasselblad H1" (or similar). In any jurisdiction with a trading standards body this would have been called "full page advert by Hasselblad". Actually Hasselblad would have done it better and with 200% more class, but whatever. Then we get the UK magazines. I'll focus on Practical Photography, because this is otherwise a pretty good magazine. ALL their reviews are skimpy, utterly basic, and always award, at an absolute minimum, 75 points out of 100. I'm being generous here - I don't think they ever go below 80. This from a publication that appears to understand digital capture - and hence should understand that using 20% of available bandwidth means that your capturing a lot of noise. Obviously they should recalibrate: if everything is rated between 80 & 100, then after a certain amount of time mean will tend towards 90. Which means an average, just about good enough piece of equipment gets 90%.... But I suppose the manufactures (a.k.a advertisers) would not be very happy to see an average result be (fairly) awarded 50%. Which leaves us with the French, who have absolutely no problem with giving a piece of junk "nul points", and frequently do so (especially C d'I). They also refuse to play the game of press embargos. They prioritise their main customers - their readers - who in turn reward them with remarkably high circulation figures. And when you read a 5 star review here, you can be sure it is deserved.

Hmm. Seems fairly straightforward. Ok, well I need to do a bit more tidying up of the layout, and so far only the index page is formatted, but not so bad for 1 hour's work.

This is basically a test post. Photoblogography is a place where I will publish whatever I feel like talking about that is generally associated with photography. It is also a bit of a test bed to see how Movable Type works and how I can configure it.