Let’s get something clear up front: I don’t do black & white. And if I do, it isn’t usually film. And if it’s film, it’s never real black & white, but some C-41 ersatz thing, or something really left-field like Agfa Scala or 35mm Polaroid PolaPan. But basically, although I enjoy black & white as a viewer, as a photographer I just don’t really get it.

So, why did I end up with 5 rolls of Ferrania P30 Alpha? And what did I do with them? Well, the answer to the first question is partly here, and the answer to the second is the topic of this post.

So, although I was quick off the mark ordering my P30 Alpha, it seems I was pretty much at the back of the queue, and I didn’t get my order until mid-August, by which point I’d rather lost interest. But anyway, I decided that an upcoming late summer holiday in Southern Italy would be a very appropriate place to try out this resuscitated Italian classic. Since I was intending on taking no more camera gear than would fit in a Domke F-5, I decided to take my Olympus XA.  It was that or the Minox ML. The Minox has an even better lens, but the XA’s rangefinder was the deciding factor. I’ve promised the Minox my last roll of P30.

I shot two rolls of P30 in Calabria. Here are some of the results.

Well, as I’ve made clear, I’m not a black & white photographer, but honestly, this stuff could make me change my mind. It positively glows, especially under the light it was presumably designed for. Of course I’m being very naive here: it has been processed by a lab, I’ve scanned it based on instincts built up over many years of colour film scanning, and so most of the variables I haven’t even touched.  But even so, I’m won over.

However… the film is called “P30 Alpha”, the “Alpha” indicating that it is, I suppose, pre-Beta, and therefore not exactly fully sorted.  I suppose that’s what led to a massive scratch along the full roll for one out of my five samples.

The Lab marked this as a “camera scratch”.  I don’t think so. This was the middle roll of three that went through the same camera in quick succession, and the others don’t even have a hint of a scratch. And I’ve put many, many rolls of film through the XA with exactly zero issues so far.

Closing thoughts on Ferrania

About 100 Internet Years ago, FILM Ferrania was launched with a Kickstarter campaign to raise funds in order to rescue and revive the core of the Ferrania film factory. At the same time the objective of launching a new E6 slide film, based on the Ferrania Scotchchrome formula, was announced. Inevitably this shaped people’s expectations, as did the promise of a first batch to be shipped as Kickstarter rewards some 6 months later (the simultaneously announced cine film doesn’t seem to have created quite so much of a stir). Things started to shift, to slide, to wilt a bit in the Italian summer, and the rewards never shipped. Apparently one day they will. Apparently Atlas will one day roll his stone to the top of the mountain.

In the midst of all this, P30 popped up. So we are told, it was a bit of happenstance. I can’t find the original post (frankly, there seems to have been a touch of revisionism on the Ferrania website) but as far as I recall, during some early film coating testing the FILM Ferrania team realised they’d as good as recreated the class Ferrania P30 film. One thing led to another, and they decided to make a limited batch, this P30 Alpha I’ve been trying. And the next step is supposed to be full commercialisation of P30.

Well that’s all well and good, but honestly, the world doesn’t really need another black & white film, although, and this is the catch, it may well need this one, because quite frankly it’s fabulous. It’s all the excuse I need to buy a Leica M6.

So is FILM Ferrania still the team that launched the Kickstarter? Is Nicola Baldini still running things? Is the Colour slide film ever going to emerge, and, given the promise of a resuscitated Ektachrome, do we actually need it?

Perusing the Film Ferrania website, there really isn’t much mention of anything other than P30. All the imagery is monochrome. The sparse communication that leaks out is all about P30. This wasn’t what we signed up for.

I’ve been very closely connected to an Italian startup which linked up with, and eventually got hijacked by, an American “social media” team, as has happened here. In my case it turned out very badly - although it was not at first visible, the fundamental culture clash and deep lack of understanding of each other’s motivations and life/work patterns destroyed the company.  I fear the same thing is happening with FILM Ferrania. I hope I’m wrong.

All Saint‘s Day, or The Day of the Dead, is a public holiday here, and during a period where various things have conspired to spiral me into a state of ever increasing exhaustion, it came as some relief. I managed to pad it a bit with some downtime the day before, so at least I wasn’t in a state of complete collapse.

In this state of mind I often question just what keeps me doing photography. It doesn’t really accomplish anything substantial, I don’t find much satisfaction in the nagging background gear window shopping addiction that I suffer from, and it doesn’t lead to any substantial social interaction, either real or virtual.

But going through the motions of wandering off somewhere nearby to take a few photos brings the realisation, or reminds me, that it can actually be pretty therapeutic to just spend a few hours contemplating a pile of rocks and trying to adapt their forms to a 4:3 rectangle. It’s rarely successful - something that fills me with satisfaction in situ generally looks awful back home on screen, but that doesn’t really matter.

...this becomes a pretty spectacular 110m drop waterfall

Wandering around gear forums and blogs, because I‘m too tired to do anything else on the train, I often come across provocative proclamations that Micro Four-Thirds is total rubbish because it has a “tiny” sensor with no “D.o.F” (what “no D.o.F” means in idiot forum speak is that - allegedly - you can’t get 98% of the shot out of focus). I find this remarkable when I’m trying, usually unsuccessfully, to keep all objects in my shot roughly in focus. I don’t really understand people who preach that for “landscapes” (whatever the hell that means) you absolutely must have a zillion megapixels and a full frame sensor. I suppose that correlates with the idea that “landscape” means ultrawide angle views of luridly saturated vistas. Well, that’s not what attracts me, and what I need is a camera with as much depth of field as possible but still good enough optical quality. Which is why I stick with these Olympus thingies.

...and this would probably have been slightly less dull if I could have inched forward a bit, but then I’d have ended up in the first photo above. Briefly.

Well, of course, that’s when I’m not taking ultrawide landscape shots with my (sort of) zillion megapixel Sigma camera. But consistency has never been my strong point.

flare enough…