This little clump of cypress trees, on the main road towards Rome, just south of San Quirico d’Orcia in Tuscany, Italy, must be a very strong candidate for the most photographed trees in the world. They even have their own group on Flickr - Boschetto del Cipressi - which also conveniently gives you the exact GPS coordinates.  Apart from that, there aren’t all that many good angles, so pretty much all the good shots are done. And I’ve been going there for well over 10 years. A few years ago, as often as not you’d have the place to yourself, but of course now it is a regular stop on the the dreaded Photo Workshop Circuit.

Nevertheless, a few weeks back, when doing a quick “highlights” tour in those parts for some friends, we did pass, and of course I had to stop.  And what the hell, I pulled out the XPan, stuck the 90mm lens on it, wandered over to the edge of the field, and took a few frames. Couldn’t be bothered with the tripod. Afterwards I was fairly sure I’d screwed something up, I don’t remember what, but it turns out that if indeed I did it was a good thing. Because I think I’ve ended up with my all-time personal favourite of the boschetto.

il boschetto dei cipressi, XPan, 90mm f/4, Fuji Provia 400X, handheld

Over the past few days I’ve been going through photos taken over the last 10 years or so from a particular corner of Tuscany, with a project in mind.

I was quite surprised to come across these two photos, one, on the right, taken this year, the other a few years back.  I had no recollection of having taken the earlier shot.

Neither of these are cropped. The composition is straight from camera. The cameras are different, but the focal length of the lens is identical, so is the aperture, and the exposures are within half a stop of each other. Both are handheld. In both cases here, these were the only shots I took of that particular scene, so there’s no element here of random coincidence. It’s also notable that the spot I took the shots from is far from obvious, and not that easy to get to, at least not the final few meters.

The common wisdom heard from various photo gurus is that to be a Real Photographer you need to develop your Style & Vision. Problem is, as far as I am concerned, I’m far from clear what these things are. Adobe don’t sell them, well not yet anyway. But I am becoming aware that if I have any merit in my photography, or maybe some kind of “signature”, it might lie in the direction of composition. Whether or not that is the case, it certainly seems that my eye has gained a degree of consistency!

I posted this image on Flickr on April 12, 2013.

At the time of writing, it has accumulated 5,356 views, 249 favourites and 53 comments, which is so far above my average rating it’s ridiculous.  I’ve been on Flickr since October 2006 and my 680 posted images have between them collected 27,263 views.  So either this is an absolute world class masterpiece, and everything else I’ve ever posted is, well, not, or it is an indication of just how unreliable social media popularity is at evaluating how good your photography is.

Now, this photo has been “selected for Explore”, the meaning of which I’m ashamed to say I don’t quite fully understand.  I’m not quite sure what Explore is, but apparently 27 of my photos have been in it - so, a hit rate of 1 in 25, which may or may not be good. But anyway, it does seem to raise visibility and sometimes popularity. Having said that, so does posting a photo from my Sigma DP2 Merrill, whatever the subject.

Perhaps it’s penguins, but then again I’ve post other penguin shots.

Anyway, at least it means that the few generous souls who regularly comment on my photos, probably to cheer me up, can take a few days off.  On the downside, I feel morally obliged to respond to all the people who’ve be kind enough to comment, write or “fave”, and so far that’s taken over 2 hours. Still, I’ve discovered some pretty good photos on the way.  Check out my own favourites to see a few of them.

I guess it will all calm down again soon enough.  It’s nice to feel popular, but I don’t think I could keep up that level of interaction for long.  I’m far too much of a miserable old git for that.

Although I’m hopelessly addicted to wide-format photography, using my Hasselblad XPan film camera, there’s no question that it lacks the immediacy of digital. It has taken over two months to get the 10 rolls of Ektachrome E100G which I put through it in Antarctica developed, scanned, cleaned up and somewhat edited. Of course this time I was sidetracked by a trip to Venice as well as several other tangents I shot off on, not to mention earning a living and keep the garden under control. And having a life. Well, marginally. At the same time I still have another 12 rolls from Patagonia which remain in their boxes, and a veritable avalanche of digital photographs from Antarctica which I have had but a cursory look at. I tend to get very linear about this stuff, so apart from the distraction of my Venice projects (which were also a bit linear), I have really concentrated on this process.

Coaxing the best results I can out of my ageing film scanner is time-consuming, as is removing the artefacts it generates. But that’s just part of the deal. The challenge is to get some approximation of the fantastic way the slide film looks on the light table onto the screen.

The next step is to select a dozen or so for a gallery page, but here’s a quick preview.

Just a couple of photos from a lunchtime stroll around Bellinzona, capital city of the Republic and Canton of Ticino this week. With just a touch of post-processing using the remarkably powerful Filterstorm Pro for iPad.